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Silas looks for the keystone in the Church of Saint-Sulpice, and The Da Vinci Code used the exterior of the church in the film. It is very geographically close to the Louvre, so extra points for continuity! Courtesy of Percy Church of Saint-Sulpice, 2 Rue Palatine, 75006 This is the Bridge that Robert and Sophie cross when they escape the Louvre in a Smart car. The scenes are set at night anyway so this wouldn’t have been too inconvenient. It is also the place where he and Sophie begin their treasure hunt.Īpparently, filming took place in the evenings when the museum was shut. The Louvre is where Robert Langdon is summoned to in order to inspect some suspicious markings around Jacques Saunière’s dead body. The pièce de résistance of The Da Vinci Code: the film used the real Louvre museum. It’s directly behind the Sacré-Cœur, so extremely well-located for a frugal monk. This address is the home of Silas, the Opus Dei Monk, who performs a chastising of the flesh in his barely furnished apartment. One, in particular, you might have already visited… All of The Da Vinci Code Film Locations in Paris…Ĭorner of Rue Becquerel/R ue de la Bonne, Montmartre, 75018 But The Da Vinci Code film locations in Paris are still worth visiting if you’re a fan. The film is also shot in Midlothian, Scotland and the south of England. Even locations that are supposedly set in Paris are shot in England. He is somehow forced to partake in a treasure hunt with the help of Jacques Saunière’s granddaughter to find the Holy Grail (yes, the one in the bible) and clear his name. Langdon is summoned by the French Police to help investigate the mysterious markings around Jacques Saunière’s dead body. While he is there, the curator of the Louvre museum, Jacques Saunière, is shot and killed at his place of work. The Da Vinci Code (2006) follows Dr Robert Langdon, a Harvard professor and Symbologist in Paris to promote his book. Putting aside the sequels Angels and Demons (2009) and Inferno (2016), let’s focus on The Da Vinci Code film locations in Paris. I think they are so encapsulating, have great re-watchability and are so much fun. Yes, the movies based on the famous and controversial Dan Brown book series.
#The da vinci code trilogy movie
After audiences flocked to the first Robert Langdon story, the studio greenlit its predecessor, and Angels did well at the box office, as well.I am very open about my movie guilty pleasure: The Da Vinci Code trilogy. In the book sense, Angels came before Da Vinci, but Ron Howard and Sony chose to start with Da Vinci because that novel was a global sensation. These stories have been told out of order before. So it sounds like, even in Inferno is a huge hit, the idea of Tom Hanks and Ron Howard going back to adapt The Lost Symbol is a non-starter, because the plot and themes are too similar to what the duo did in The Da Vinci Code and Angels & Demons.
The good news is contractually, we don't have to. We have no idea if it's going to come down the pike - if we're going to want to jump on it or not. But, Dan Brown, who is very secretive, is working on another one. We had to say that we don't quite think there is something to truly hang on. and the question of the Masons was very reminiscent of the theoretical dilemmas of both The Da Vinci Code and Angels & Demons. That was interesting because we actually worked on for a while to see if there was something, and at the end of the day, Washington, D.C. Luckily, I was able to sit down with Tom Hanks in Florence, Italy to discuss Inferno and his work on this fast-moving franchise, and when it comes to The Lost Symbol, he told me: